Psychology of art
Psychology of art presents the English translation of some papers published in Italian and papers published only in English pertaining to the Psychology of art or related to this subject.
Rudolf Arnheim (1997), Arte e cognizione. Introduzione alla psicologia dell’arte. By Alberto Argenton, The British Journal of Aesthetics, 37, 1, 87-88
Alberto Argenton, Giuseppe Basile (2003), Restoration and the psychology of art: an occasion to test out Cesare Brandi’s “Theory of Restoration”, in G. Basile (ed.), Restoration of Scrovegni Chapel. Surveys, project, results, Skira, Ginevra-Milano, 544-558.
Alberto Argenton (2004), Aesthetic cognition. A tribute to Rudolf Arnheim, Gestalt Theory, 2, 128-133.
Ian Verstegen (2010), Arte e espressione. Studi e ricerche di psicologia dell’arte. By Alberto Argenton, The Journal of Aesthetics and Art Criticism, 68, 2, 196-197
Alberto Argenton (2010), Convergences between conservation, restoration and psychology of art, in P. Iazurlo, F. Valentini (eds.) Conservation of contemporary art: Themes and issues. A didactic experience, Il Prato, Padova, 31-40.
Alberto Argenton (2012), The hand, touch and vision, in A. Pluchinotta (ed.), Just the hand in modern and contemporary plastic art, Exhibition Catalogue, Padova, Piano Nobile – Caffè Pedrocchi, 22 September – 14 October 2012, Bortolazzi-Stei, San Giovanni Lupatoto (VR), 44-50.
Additions made after 23rd May 2015
Alberto Argenton (2015), Is Arnheim just a formalist?, Gestalt Theory, 37(3), 219-234.